| | The smallest colour shaper, for minute detail | | |
| | | Size 2 is a little bit larger but still great for small detail | | |
| | | With a new painting tool from Forseline and Starr and this book, the reader is invited to learn to paint in a whole new way that dispenses with brushes and rollers. The author provides detailed instructions and patterns on this new technique.' | | |
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Sennelier’s La Carte Pastel Pad is a high‑quality pastel board specially designed for dry drawing techniques like soft pastel, charcoal, and pencil. The surface has a velvety, sand‑like texture thanks to finely ground cork applied to a heavy board, which gives excellent grip to pastel pigment — meaning you often need less fixative.
16 x 24cm
For pencil, pastel and charcoal
weight of paper 360gsm
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Sennelier’s La Carte Pastel Pad is a high‑quality pastel board specially designed for dry drawing techniques like soft pastel, charcoal, and pencil. The surface has a velvety, sand‑like texture thanks to finely ground cork applied to a heavy board, which gives excellent grip to pastel pigment — meaning you often need less fixative.
24 x 32cm
For pencil, pastel and charcoal
weight of paper 360gsm
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Sennelier’s La Carte Pastel Pad is a high‑quality pastel board specially designed for dry drawing techniques like soft pastel, charcoal, and pencil. The surface has a velvety, sand‑like texture thanks to finely ground cork applied to a heavy board, which gives excellent grip to pastel pigment — meaning you often need less fixative.
30 x 40cm
For pencil, pastel and charcoal
weight of paper 360gsm
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The Sennelier L’Esprit du Pastel Pad is one of those "quietly excellent” tools that makes those media feel right under your fingers. It’s simple, portable, and designed to let you focus on drawing rather than fussing over paper limitations.
The 130 gsm, grained / felt-textured paper — not heavy board, but with enough tooth to grip pastel, charcoal, chalk or pencil nicely.
It has a neutral grey surface — a mid-tone ground that gives instant contrast whether you’re using light or dark pastels/charcoal — often nice for sketching values without laying down a base tone first.
Pages are interleaved with glassine to stop smudging or transferring.
24 x 32cm
For pastel, charcoal, Conte crayone
weight of paper 130gsm
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The Sennelier L’Esprit du Pastel Pad is one of those "quietly excellent” tools that makes those media feel right under your fingers. It’s simple, portable, and designed to let you focus on drawing rather than fussing over paper limitations.
The 130 gsm, grained / felt-textured paper — not heavy board, but with enough tooth to grip pastel, charcoal, chalk or pencil nicely.
It has a neutral grey surface — a mid-tone ground that gives instant contrast whether you’re using light or dark pastels/charcoal — often nice for sketching values without laying down a base tone first.
Pages are interleaved with glassine to stop smudging or transferring.
16 x 24cm
For pastel, charcoal, Conte crayone
weight of paper 130gsm
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If you’re into oil pastels and want a pad that really makes the colours pop, this oil‑pastel‑specific pad from Sennelier is a little treat. It feels sturdy, professional and thoughtfully made so you can focus on your art instead of worrying whether the paper can take it.
The heavy‑duty 340 gsm acid‑free paper is thick enough to handle oil pastels (or oil bars), giving you confidence that colours won’t soak through or warp the sheet and the surface texture is tuned for oil pastels — enough grip for pastels to stick well and layer nicely, so your colours stay vibrant and don’t slide off.
Glassine interleaving between sheets 16 x 24cm
For oil pastel and oil bars
weight of paper 340gsm
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If you’re into oil pastels and want a pad that really makes the colours pop, this oil‑pastel‑specific pad from Sennelier is a little treat. It feels sturdy, professional and thoughtfully made so you can focus on your art instead of worrying whether the paper can take it.
The heavy‑duty 340 gsm acid‑free paper is thick enough to handle oil pastels (or oil bars), giving you confidence that colours won’t soak through or warp the sheet and the surface texture is tuned for oil pastels — enough grip for pastels to stick well and layer nicely, so your colours stay vibrant and don’t slide off.
Glassine interleaving between sheets 24 x 32cm
For oil pastel and oil bars
weight of paper 340gsm
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If you’re into oil pastels and want a pad that really makes the colours pop, this oil‑pastel‑specific pad from Sennelier is a little treat. It feels sturdy, professional and thoughtfully made so you can focus on your art instead of worrying whether the paper can take it.
The heavy‑duty 340 gsm acid‑free paper is thick enough to handle oil pastels (or oil bars), giving you confidence that colours won’t soak through or warp the sheet and the surface texture is tuned for oil pastels — enough grip for pastels to stick well and layer nicely, so your colours stay vibrant and don’t slide off.
Glassine interleaving between sheets 30 x 40cm
For oil pastel and oil bars
weight of paper 340gsm
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| | | The medium size 6 is great for slightly larger areas. | | |
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| | The large size 10 gives you control over much bigger areas | | |
| | | Size 16 is the biggest, XXL shaper | | |
| | | A foam head on one end and a size 2 firm flat chisel colour shaper on the other end. Excellent for smoothing, blending and refining your pastel drawing.
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| | With a thicker, chunkier handle, perfect for small hands
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| | | Select from White (soft), Grey (Firm) or Black (extra firm)
All five tips in the size 0 | | |
| | | Select from White (soft), Grey (Firm) or Black (extra firm)
All five tips in the size 2 | | |
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| | Select from White (soft), Grey (Firm) or Black (extra firm)
All five tips in the size 6 | | |
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Especially for Pastel blending, this set contains
Flat Chisel Point Shaper - flat even stroke in colour, for smudging and blending
Taper Point Shaper - fine detail and linear strokes
Fan Brush - use for light blending of large areas or to remove excess colour
Blender Brush - traditional cosmetic brush for dabbing, rolling and rubbing colour
All with a size 2 tip (small) | | |
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Especially for Pastel blending, this set contains
Flat Chisel Point Shaper - flat even stroke in colour, for smudging and blending
Taper Point Shaper - fine detail and linear strokes
Fan Brush - use for light blending of large areas or to remove excess colour
Blender Brush - traditional cosmetic brush for dabbing, rolling and rubbing colour
All with a size 2 tip (small) | | |
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Colour Shaper Wide has silicon ends which allow you to creatively decorate walls and furniture Because they do not absorb paint like a brush you can simply wipe them clean. Control precision and fluidity. A must have artist tool. No more ruined brushes.
Select from Firm Grey Tip, Decorator's Grey Firm Slit Tip, Extra Firm Black Tip
Please note price is per shaper
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Colour Shaper Wide has silicon ends which allow you to creatively decorate walls and furniture Because they do not absorb paint like a brush you can simply wipe them clean. Control precision and fluidity. A must have artist tool. No more ruined brushes.
Select from Firm Grey Tip, Decorator's Grey Firm Slit Tip, Extra Firm Black Tip
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Colour Shaper Wide has silicon ends which allow you to creatively decorate walls and furniture Because they do not absorb paint like a brush you can simply wipe them clean. Control precision and fluidity. A must have artist tool. No more ruined brushes.
Select from Firm Grey Tip, Decorator's Grey Firm Slit Tip, Extra Firm Black Tip
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Colour Shaper Wide has silicon ends which allow you to creatively decorate walls and furniture Because they do not absorb paint like a brush you can simply wipe them clean. Control precision and fluidity. A must have artist tool. No more ruined brushes.
Select from Firm Grey Tip, Decorator's Grey Firm Slit Tip, Extra Firm Black Tip
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Colour Shaper Wide has silicon ends which allow you to creatively decorate walls and furniture Because they do not absorb paint like a brush you can simply wipe them clean. Control precision and fluidity. A must have artist tool. No more ruined brushes.
Select from Firm Grey Tip, Decorator's Grey Firm Slit Tip, Extra Firm Black Tip
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| | | Contains 3 Embossing Tools with tips measuring 0.8mm, 1mm, 1.2mm, 1.8mm, 2.4mm, 2.8mm | | |
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| | Finest Coates Willow charcoal sticks ground into a fine (120 microns) powder. This willow charcoal powder is ideal for large scale art work, subtle shading or even mixing with water or paint. It can be applied to any absorbent surface with a brush or with fingers. | | |
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The Nitram Sanding Block is absolutely ideal for quick and easypointing or shaping of charcoal. At 8cm wide and 23 cm long it is bigger thanother sandpaper blocks and has a larger handle for stability and ease ofuse. You can achieve the exact shape youwant quickly and therefore with less waste. | | |
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5 replacement pads for your Nitram Charcoal sharpening Block | | |
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| | The Faber Castell Twin Hole Sharpener 18 57 10 is made with all the quality and precision associated with German engineering. One hole is set up for graphite and gives a sharp point, the other sharpens to slightly thicker barrel and blunter point more suitable for colour pencils. This is the sharpener recommended by Faber for use on their Pitt Pastel pencils and the feedback from our customers confirms this to be true.
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Made especially for Pastel Pencils, Charcoal pencils and other softer core pencils.
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| | | A great set of 8 paper stumps of varying sizes. | | |
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Derwent's soft art eraser contains charcoal for gentle and effective erasing, thus causing less damage to the paper. This is a great eraser for graphite and charcoal pencils.
The harder white eraser is ideal for all standard erasing.
PVC and Latex free, non crumbly
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| | | Avoid contact with dirty or oily hands and your picture with this dusting brush from Faber Castell.
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| | | Use this sandpaper block to sharpen pencils or pastels or form a finer point. You can also use sandpaper blocks to achieve different effects with watersoluble media.
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| | This is a slightly larger than usual paper stump, ideal for blending and smudging pastel and pencil.
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| | | A great little set from Derwent of 5 different brushes, all of which can be used to achieve all sorts of special effects.
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| | | Excellent for blending pastel or charcoal with minimal mess!
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| | A set of 3 mixed size paper stumps from Derwent. Made from rice paper they are smoother and more effective than normal paper. To sharpen or clean use a sandpaper block.
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| | | A 4cm x 3cm kneadable eraser. Mould to the perfect shape for detail and fine erasing.
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| | | The Faber Castell Art Eraser is a a soft, kneadable eraser which can be worked into a point for detailed correction. The eraser can be used to lighten pencil, charcoal and pastel compositions by gently lifting shading and more detailed work. The eraser comes in an extremely handy hard plastic box to keep it soft and clean.
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| | A handy set of 5 different sized blending stumps from 4mm - 9mm to allow for blending in larger areas as well as more detailed work.
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| | | A fine, 5mm paper stump for detailed blending.
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| | | A medium, 7.5mm paper stump for detailed blending.
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| | A wider, 9.5mm paper stump for detailed blending.
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| | | This great little blending set comprises of 3 different sized paper stumps, a tortillon and a soft eraser.
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For blending and shading of pastels, charcoal and graphite.
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| | 12 sheets of sharpening board for easy shaping of leads and pastels.
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